{"id":205350,"date":"2023-02-15T14:04:53","date_gmt":"2023-02-15T19:04:53","guid":{"rendered":"https:\/\/www.jewishexponent.com\/?p=205350"},"modified":"2023-02-15T14:05:07","modified_gmt":"2023-02-15T19:05:07","slug":"yivo-institute-of-jewish-research-embraces-access-to-eastern-european-jewish-history-over-gatekeeping","status":"publish","type":"post","link":"https:\/\/www.jewishexponent.com\/yivo-institute-of-jewish-research-embraces-access-to-eastern-european-jewish-history-over-gatekeeping\/","title":{"rendered":"YIVO Institute of Jewish Research Embraces Access to Eastern European Jewish History Over Gatekeeping"},"content":{"rendered":"
\"\"
Chaim Grade\u2019s typewriter, preserved in the condition it was found when the Yiddish author died in 1982, contains what are apparently the last lines he ever wrote. Courtesy of New York Jewish Week<\/figcaption><\/figure>\n

Dovid Zaklikowski<\/p>\n

The bright hallways, expansive staircases and sleek sofas don\u2019t reveal what is beyond the glass doors at the Center for Jewish History in New York City. It was a rare visit at a historical juncture where few ever walk in the quiet halls of the Yidisher Visnshaftlekher Institut, known today as the YIVO Institute for Jewish Research, at 15 W. 16th St.<\/p>\n

After winding through a maze of backrooms, cubicles, walls covered with black donor plaques in Yiddish and an elevator ride up is a simple, brightly lit room lined with shelving holding archival boxes.<\/p>\n

Historians, professors, biographers and reporters could only dream of what was in all those boxes: stories, narratives, history. Said to include more than 4 million documents, with only a fraction in the weather-controlled room on an unusually warm December afternoon, it is one of the few places where such a rich archive of Jewish history can be found.<\/p>\n

To give an idea of what the collection includes, Stefanie Halpern, director of the archives, pulls out a large, frail, yellowed map of Jewish agricultural colonies in Belarus in the 1920s. The back of the map is crammed with Yiddish writing. She admitted that she cannot read it, but believes that it is someone\u2019s personal history. \u201cSome people\u2019s writing is just terrible,\u201d she said. \u201cI guess if I spent days and days I could [figure it out], but I just don\u2019t have the time.\u201d<\/p>\n

\"\"
Stefanie Halpern, director of archives at YIVO, exhibits a manuscript at the archives. Photo by Dovid Zaklikowski<\/figcaption><\/figure>\n

But there is surely someone who could read it. An expert in Yiddish writing in an Israeli city. Or even a Chasidic Jew in the Borough Park neighborhood in Brooklyn, New York.
\nOne of them may be Fruma Mohrer, who was an archivist at YIVO for more than four decades. In 2020, in what YIVO referred to as a budget issue, she was laid off. But one librarian who worked there for a decade-plus and was a part of those who was fired said it was much more than a budget issue. \u201cThere was a schism on policy,\u201d is all he would say, worrying about his current job at another archive in the city.<\/p>\n

For younger Jewish history enthusiasts, it was long in coming and a relief. \u201cEvery time you wanted a document,\u201d said Yehudah DovBer Zirkind, who is an expert on Yiddish writer Chaim Grade, \u201c[Mohrer] insisted that there be a vetting process.\u201d<\/p>\n

Rick Prelinger, professor of film and digital media at the University of California, Santa Cruz, called it in a 2007 paper copyright maximalism.<\/p>\n

\u201cMany institutions sequester their holdings behind walls of copyright,\u201d he wrote, \u201cpolicy, or indifference, rendering them inaccessible to many.\u201d<\/p>\n

It is the reluctance to embrace technology, wrote Prelinger, that the resistance to providing public access to archives is marginalizing them when they could otherwise be addressing new audiences and building new constituencies.<\/p>\n

\u2018There is always something new\u2019<\/strong>
\nHalpern said that YIVO is one of the best-kept secrets. \u201cI wish it weren\u2019t,\u201d acknowledging that it was partially the archives fault by being slow to embrace openness. \u201cWe\u2019ve been trying to be more accessible to an everyday person.\u201d<\/p>\n

\"\"
Jonathan Brent, executive director of YIVO, discusses the archive in a December 2022 interview. Photo by Dovid Zaklikowski<\/figcaption><\/figure>\n

She said that this includes moving away from being gatekeepers, the ones who protect these materials at all costs. Rather, the mission today is to provide access in whatever way possible. \u201cThere is no point in having historical materials if no one has access to it.\u201d<\/p>\n

Executive director and CEO of the archives Jonathan Brent takes Jewish history seriously. Seated in a simple office flanked by bookcases and a 1933 Yiddish poster of a show of a strongman proclaiming himself as the \u201cPolish Golden Star,\u201d Brent, who took the position in 2009, talks enthusiastically about the archives and its mission.<\/p>\n

Zirkind, who has also written a guide on Yiddish archives, visited YIVO just for that. He was researching writers Chaim Grade and Hillel Ceitlin. In some ways, they symbolize the religious world, going through some kind of crisis of faith, \u201cwhile still being connected to where they came from.\u201d<\/p>\n

He would come to the archives daily for weeks at a time. It was nitty-gritty work, looking through old finding aids (tools that help researchers), many of them not digitized, and searching for names. \u201cIf you were lucky, the name would appear, and then you will find a box and folder number,\u201d he recalls.<\/p>\n

You needed to have more luck that the archivist would be willing that day to let you photograph or make copies. Just like that 1920s\u2019 map, with the testimony on the back, which was recently made available online, Zirkind said with the material being digitized, the gold mine of YIVO has now become much more accessible.<\/p>\n

\"\"
The reading room at the Center for Jewish History in New York City, where YIVO archives is headquartered.
Photo by Dovid Zaklikowski<\/figcaption><\/figure>\n

The current veteran archivist at YIVO, Leo Greenbaum, was an anomaly among the archivists. He chose to adapt to the new generation and remained in his position when the cuts at YIVO were taking place. He said that every morning, he heads to work not knowing what that day will bring. \u201cThere is always something to do, something new.\u201d<\/p>\n

He explains that the basic function of any archive is to collect and preserve, but \u201cjust sitting on materials is not very productive.\u201d It needs to be accessible to the public, and YIVO has in recent years embraced that.<\/p>\n

\u201cIt used to be that we were only used by scholars,\u201d Halpern said. \u201cIt is hard to walk into an archive.\u201d YIVO has strived to make the archive a more welcoming place. It is the attitude, the changing of policies and the digitizing of the archives.<\/p>\n

To Greenbaum, the digitizing is another plus. \u201cMany [documents] are very fragile; the more you handle them, the more they deteriorate,\u201d he said. Digitization gives you back-up copies in case of a fire or another calamity. But it also makes the material more accessible to researchers.<\/p>\n

\u2018It has been a slow process\u2019<\/strong>
\nSince becoming the director of the archives, Halpern has made giving the public more access her mission. \u201cIt has been a slow process,\u201d she said, but she has an advantage on her side. \u201cWe have a whole slew of new archivists, a generation of individuals to whom this material is not so personal.\u201d They have all embraced the open policy.<\/p>\n

Of course, there are risks involved; people could choose not to give credit to the archives for the manuscripts they use. Some also thought that without proper attribution by users, it could cause funders not to realize the extent of the need of the archive.<\/p>\n

However, said Greenbaum, having material online has caused more publicity of what YIVO has. It has brought discussions on social media, and more authors are using their material. \u201cI don\u2019t think it made things worse,\u201d he said.<\/p>\n

\u2018We have grown and flourished\u2019<\/strong>
\nBack in the small YIVO conference room, Brent an academic, author, historian and publisher, is adamant that Jewish history is not just about religion, but about culture. The food Jews ate, what they dressed, the songs they sang, the relations between men and women or the way they raised their children \u2014 all of this needs to be learned and studied.
\nFor many today, he said, that culture might be construed as the Holocaust, lox and bagels and \u201cFiddler on the Roof.\u201d He said that has been a part of why an entire generation of Jews have lost interest in Jewish life.<\/p>\n

For those who do take interest in their family history, it many times focuses on the genealogy. \u201cIt completely ignores where they came from,\u201d he lamented. \u201cThey get it in a bottle. They don\u2019t have to do any work. It is a good-feel thing.\u201d<\/p>\n

He stated that YIVO is devoted to how Jews got from religious communities in Spain and the Middle East to communities that participated in the secular world, but retained their Jewish identity. \u201cThe materiality of Jewish life,\u201d he said, \u201cand its social development.\u201d<\/p>\n

To facilitate this, the archive recently reached two significant milestones. Besides making available online the papers of writer Chaim Grade and his infamous wife, Inna Hecker (See Opinions: \u201cYIVO Digitizes Writer Chaim Grade\u2019s Archive, a Yiddish Treasure with a Soap-Opera Backstory\u201d), YIVO has reached beyond the archive it physically controls. In cooperation with the Lithuanian government, it digitized 2.5 million documents and 12,200 books \u2014 representing 500 years of Jewish history in Eastern Europe \u2014 under the Edward Blank YIVO Vilna Online Collections project.<\/p>\n

The YIVO archive, he continues, can offer more substance on what Jewish life was in the communities their ancestors came from. Once this was much more difficult to access. With the archives\u2019 change of direction, said Brent, people could come to YIVO to discover more about their roots: \u201cWe are letting people in, and we are letting information out.\u201d
\nIt is for that reason, he noted, that over the past few years, \u201cwe have grown and flourished.\u201d<\/p>\n

Dovid Zaklikowski is a freelance writer and the author of more than 20 biographies.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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