Friday, May 24, 2013 Sivan 15, 5773

Robert Leiter

Senior Editor
Lesser-known author packs a punch in short form
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Reputation in the arts is fickle, filled with mystery. Why is it that some writers have reputations beyond their capacities, and keep them despite the less than commendable works they publish? On the other hand, why is it that certain good writers, who entertain and enlighten audiences throughout long careers, lose their reputations the minute they die and are then...
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I have always argued that the 1950s, forever pegged as the decade of conformity, were far more varied and perhaps even more revolutionary -- at least, in the realm of the arts -- than was the subsequent decade that's looked back on, especially by once-radical college students, with sincere fondness. Wherever you look in the '50s, you can see evidence...
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For someone like myself who came of age reading the great works of the 20th-century modernists -- writers like Gertrude Stein, James Joyce, T.S. Eliot and Marcel Proust -- the highly ubiquitous postmodernist movement, which was spawned by the excesses and political shenanigans of the 1960s, has generally been an irritant to me. Whether it's Andy Warhol's soup cans or...
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An independent publisher takes a chance on the misunderstood novella
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Every so often, I've used this space to praise small independent publishers who, no matter the economic foolhardiness of their endeavors, forge ahead and never compromise their principles. I'm thinking particularly of one-person operations like Dryad Press down in Maryland and Turtle Point Press right in the thick of things in Manhattan, as well as ventures like New York Review...
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I am a sporadic sports fan -- at best -- these days, and have only ever had a real passion for college football and basketball, and never much tolerance for professional sports (the pay scale seems to me problematic, the kvetching by players is more than I can take, and then there's that whole doping thing). So when a book...
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Profile

Robert Leiter is senior editor of the Jewish Exponent. In his 30 years with the paper, he has won many awards and held many positions, from full-time reporter to interim editor. For five years in the early 1980s, he was managing editor of Inside magazine, the Exponent's sister publication, and for seven years in the 2000s, he was the quarterly's editor in chief, while still working full time for the paper.

Since the mid-1980s, he has reported from most of the major capitals of Europe for the Exponent, with an emphasis on the Eastern Bloc countries, during and after Communist rule. Throughout this period, he visited Poland, the two Germanies and the Soviet Union with greatest frequency, but also made visits to Austria, Hungary, Czechoslovakia, Bulgaria, Romania, the former Yugoslavia, Ukraine, Latvia, Lithuania and Estonia. He has also reported from Catalonia, Alsace, Zurich and Venice, as well as from Costa Rica, Norway, India and the Middle East. A number of his journalism awards have been for his reporting from Europe.

He is a contributing editor to The American Poetry Review, which is based in Philadelphia, and in the 1980s, he served as Murray Friedman's assistant to the U.S. Civil Rights Commission in Washington, D.C.

He has also been a freelance writer for 40 years and his book reviews, short stories, essays, interviews and profiles have appeared in The Nation, The New Republic, CommonwealDissent, The American Scholar, The Hudson Review, The New Leader, The Forward, Moment, Redbook, The Pennsylvania GazetteThe Philadelphia BulletinThe Philadelphia Inquirer, Philadelphia magazine, The New York Times, The New York Times Book Review, Partisan Review and many other mainstream local and national publications.

Contact

215-832-0726

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