When the house lights dim on March 15 for the Philadelphia premiere of Theresa Rebeck’s 2011 play, "Seminar," it will have a special significance for director Scott Schwartz.
A new film has exposed a rift between those who view the Toulouse killer's actions as the product of deep anti-Semitic currents among jihadists and others who believe Mohammed Merah was driven largely by emotional problems stemming from a difficult childhood and possible psychiatric illness.