Friday, July 1, 2016 Sivan 25, 5776
A steady hand tackles an old stalwart of a subject: New York's theater industry
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Stefan Kanfer. The name may not ring any bells, although it should, especially if you're a lover of books and magazines. That's because Kanfer, who, for 20 years, was a more than dependable staple at Time magazine, has also been turning out a steady stream of more than dependable volumes of biography, history and social criticism on a wealth of...
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A poet creates a sound -- a vision, really -- of his own making
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Louis Zukofsky has been called the most influential poet you've never heard of. Much like his fellow Objectivist, Charles Reznikoff, whom I wrote about several weeks ago, he toiled in almost complete obscurity, unknown to readers and critics alike, though during his lifetime, he and his work were beloved by many other poets. These days, however, he's been getting some...
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A poet seems simple, but his depth is undeniable
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Charles Reznikoff's poetry has a mystery about it unlike anyone else's. He was, determinedly, a Modernist, but if you were to compare him to T.S. Eliot or Ezra Pound -- two of the undisputed Modernist masters, at least of the American canon -- his language and imagery would seem simple, uncluttered, clear-cut, not in the least obfuscatory. He is not...
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It's quite remarkable how a single book can take a writer's career and transform it, giving it a whole new tenor that somewhat obscures, if not obliterates, much of what came before. Take John Updike's novel Couples, for example. Literary gossip has it that at a party one night the late Norman Mailer, in his inimitable cheery manner, cornered Updike...
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Earlier this year, I wrote a piece about Thomas Eakins -- the occasion was the appearance of a fine new biography by William S. McFeely -- and I described him as the greatest painter this city ever produced, as well as one of many artists that our fair metropolis also saw fit to abuse (in saying this, I was thinking...
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